Patricia Reed
Patricia Reed is a theorist, artist, and designer based in Berlin. She began at DAE as a thesis tutor at Critical Inquiry Lab in 2019. Her work addresses social transformations of coexistence at planetary dimensions, focusing on the interactions between world-models and practices of inhabitation. Recent writings have been published in Informatics of Domination, Pierre Huyghe: Liminal, Space Synthesis, AI Realities, Ceremony: Burial of an Undead World, The Unmanned, Glass Bead Journal, The New Normal, Construction Site for Possible Worlds, e-flux Journal and e-flux Architecture.
Reed was an affiliate researcher of the Antikythera programme in 2023 (Los Angeles), and was theory researcher for the Stadtkuratorin Project in Hamburg (DE), 2025. She co-wrote the Xenofeminist Manifesto as Laboria Cuboniks which was republished by Verso in 2018, with subsequent books in Greek, Korean, French and Spanish. A compilation volume of Reed’s works was released by Holobionte Ediciones (Spanish) in 2025 entitled Cosmovisiones de Otro Mundo.
Reed has lectured and delivered seminars internationally, including at the Bartlett School of Architecture (in Venice), Folkwang University of the Arts (Essen), Teatrino Grassi (Venice), Deleuze & Guattari Studies Annual Conference (NL), HKW (Berlin), Sci-Arc (LA), Museo Tamayo (Mexico), Digital Earth (online), Garage Contemporary Art (Moscow), Goethe Institute (Seoul), Okayama Triennale (Japan), Konstfack
(Stockholm), Goldsmiths (London), Sandberg Institute (Amsterdam), Aalto University (Helsinki), HEAD (Geneva), Simon Fraser University (Vancouver), Global Art Forum (Dubai), Gertrude Contemporary (Melbourne), The New Museum (New York).
